April 2011
23 posts
My nose is running, I can barely sing anymore, one of my calves is spasming, and I’m on every allergy/cold/throat medication and over the counter pain killer known to man. But you know what? On Thursday, I get to make people moo with me. I’d say that’s a pretty fair trade, wouldn’t you?
I remember in 10th grade, a friend of mine and I played this at some weird coffeehouse thing that our high school put on semi-annually. She sang and I played bass. The year before, we’d done a spur-of-the-moment performance of the Pixies’ “Hey” (easy enough that I’ll always remember it, hard enough that it sounds impressive), which went over crazy well. The bass I used for that one belonged to the girl who replaced me in the band I’d been in in 8th grade, and everyone kind of agreed that the one little song we played was more or less better than their three song set. It was somehow gratifying. We were emboldened by how awesome “Hey” had been, so we thought it’d be a good idea to do something new! It wasn’t. She forgot lyrics and I stumbled through the bassline like a champ. Just like the year before, the band was there, as was the boy I was trying desperately to make fall for me. I remember how harsh the fluorescent lighting seemed, like it didn’t want to let me run away from how fucking stupid I’d just made myself look in front of everyone who mattered. It was years, and countless other times embarrassing myself in front of guys I liked, before I could hear it without cringing. Really too bad; this was always one of my very favorite Weezer songs.
Anyway, now, this song reminds me of all the lovely men I’ve had teeny tiny trysts with. As much as I hate how easy I can be if I like someone, when you’re 19 or 20 and trying as hard as you possibly can to dig yourself out of a big, nasty hurt and figure out how to feel things about someone again without spooking, it’s helped…in a roundabout way. At first, I was as hard and cold as a squishy, bleeding hearted thing like me can be. It was easy to reel them in and let them go. After all, that’s what happened to me, right? And I’m just as awesome as they are, right? Maybe even more! But the further I got, the more I found myself doing all the things I used to do when I wanted more than just barely disguised booty calls. I realized (slowly, but it still happened) that I wasn’t bouncing back anymore. I was there, I’d been there for months, but patterns - especially patterns that fun - are hard to break. And I couldn’t be that anymore. God knows I’ve seen enough heartache. I couldn’t put myself in positions to feel that again, not if I could stop it. Not that I haven’t slipped up since this all dawned on me; of course I have, I’m only human. But that’s not the point.
After going to see a show tonight where the particular lovely man that made me realize I couldn’t do it anymore did amazing things on stage (so did everyone else, but this screed needs a catalyst), my iPod just happened to play this. I ran the gamut of just about everything this song could possibly make me think of, from him and him and him and him, to how - for a girl who was never cute, never sought after, barely wanted by much more than creepy dudes who’d never leave the house if their computer had an orifice - I’ve managed to score the momentary affections of real-life dirty pretty things who would’ve never looked at me even a year ago, to the one who may never stop being what I compare everyone else to. Inevitably, when he shows up, I get to wondering how all this, all I did and all I endured to become nearly everything I’d ever wanted, finally happened. I probably say this at least once every six months or so, but I wonder, if I could go back and sit next to myself in that red Honda Civic, if I told her everything that was coming for her in the next five years, what would she do? Knowing me, I’d never believe it.
And knowing me, I’d be keenly aware of the fact that this was all an overblown, seven hundred word reaction to some song.
As an addendum to that last post, I’d just like to mention that as a result of my “energy run” interpretation of Over the Moon tonight, I’m not allowed to sing it again until we open, the pit will now have to transpose Take Me or Leave Me down a whole step, and I’m on vocal rest for an indeterminate amount of time (my conservative estimate is until beach week).
At least people liked it when I took off my shirt!
I think the fact that I get to sing “Take Me or Leave Me” on a stage in front of people in a little over a week just hit me.
Also hitting me: this is probably the coolest fucking role I will ever have.
I am somehow treading that fine, fine line between being really zen about my life and pleased with myself, and being that weird, sad sort of conflicted that I am 60% of the time.
Weird. It’s weird.
One of the keys to morning-after Bodo’s runs is to possess a hoodie large enough that no one can tell you really didn’t feel like putting a bra on. This way, you can get back to doing super important things, like getting the fuck back in bed with your ham-egg-and-cheddar-on-whole-wheat-everything and wishing that some magical Donna Reed fairy would take care of the mountain of laundry in the middle of your floor, that much quicker.
“Abject failure” is such a great turn of phrase. I’m almost sad I don’t get to use it more, but then again, it’s nice that - at the very least - my life is not a series of abject failures.
Tell me how this makes sense:
Today, I auditioned for next semester’s shows. One was a gritty, postmodern straight play, the other is…well, the other is a musical. I got called back for two characters for one and boned from the other.
True story: the one I actually got called back for was the musical.
Fun fact about the true story: The two characters (well, one character and slightly defined ensemble role) I got called back for are both young girls. Let me explain something - I didn’t play young girls even when I WAS one.
To go ahead and answer my own question, no, it doesn’t make any damn sense. But am I questioning it? Of course not.
God, this song.
Even better band name: Payton Drake and the Executive Decision to Not Wear Pants